Sharp brittle gravel born of many-hued crystalline rock crunches sonorously under our boots. We are exploring the abandoned mining village of Ivittuut, to the north-east of Kap Thorvaldsen. Founded in 1854, this village was built around the cryolite mine, the only one on earth. 150 years later, in 1987, with the mine exhausted, the village fell into disuse.
Cryolite is a rare white or colourless mineral that was used as a catalyst in aluminium smelting before a synthetic substitute was invented. It is peculiar, brittle and crystalline, shattering readily in our hands. Its name means ‘ice stone’, a fitting name, as this mineral has a strong resemblance to ice. When cast into water, the clearest of it will become as invisible as translucent ice, since it refracts light the same way water does. It is Greenlandic ‘ice’ that lasts, ice we can slip into our pockets as tokens to remind us of this place.
Four years prior, on our own boat, we visited Suriname in South America, a former Dutch colony embedded in the latticework of Amazonian tributaries. On an excursion into the depths of the Amazonas rainforest, we drove past a large aluminium factory now equally out of commission. An entire forest valley was flooded to create a vast dammed reservoir, the Brokopondo, to satisfy the immense power thirst of the aluminium production.
The trees in the lake died and, though waterlogged, curiously didn’t rot. They remain standing tall in a bizarre and baffling graveyard of white wooden skeletons above and below the water surface, creating an eerie and unreal landscape reminiscent of scorching deserts containing only the pallid bones of what was once alive. The lake is deep and we navigated on it in a boat, following the former valleys so as not to run ‘aground’ on the towering trees.
Today, those trees are valued as tropical hardwood that, being dead already, doesn’t face the export restrictions rainforest logs are usually subject to. They are felled underwater by divers who descend into the darkness of the caffe-latte Amazonian water with hydraulic chainsaws. Imagine diving 30 metres deep in water as dark and impenetrable as ink, with a sharp chainsaw in your hands to cut down trees you can’t see and which will vanish to the bottom as soon as felled if not chained on and pulled up right away.
There is a strange and poignant symmetry to now coming across this vacated mine in Greenland, nigh on at the other end of the hemisphere, but linked by nearly the same longitude, which produced the material needed in the tropics to extract the aluminium from its ore by heating and melting.
In the tropics, decay is rapid, life is constantly renewing itself and the rate of change is quick. Houses left to their own devices are soon overgrown by prodigious plant life and sheltering a host of animals. To someone used to temperate latitudes, tropical habitations can have the appearance of neglect, when in reality, the decomposition of organic material is simply much faster, and upkeep a constant battle. The very soil under our feet felt bustling and alive.
The Arctic and Subarctic, on the contrary, preserve inorganic and organic material in a state that seems frozen and timeless to us. Decay here is an immensely long drawn-out process, making the landscape appear unaffected by the passage of time. Despite better knowledge, on approaching the village, we had the impression it was only recently left by people. The paint of some of the houses seemed impeccable, the roofing intact, pathways clear.
A pocket of a harbour cut into the village’s embankment sports a wharf in good nick that we can tie up to. With fenders and lines prepared, we moved into the water pouch at a slow pace. Large wooden posts rammed into the ground and secured with forearm-thick bolts to the side, a ladder to climb up and several cleats to make fast our lines. This could equally be the pier of one of the Greenlandic towns we have visited.
Only on closer inspection is the deterioration revealed, the havoc caused to the forsaken town by high winds, frost, vandalism, moisture, salt, and ice becoming visible. There is a stark and intense beauty to the decay of human traces in this Arctic landscape. What remains of industrial and domestic buildings are the mining facilities and the residences of overseers and managers, while the workers’ dwellings have long ago collapsed and disappeared.
Electric motors of colossal dimensions, conveyor belts on tall stilts, large areas of excavated material, a giant workshop building with an aesthetic old-school truck next to the opencast mine, now a crystal-clear lake connected through a fault in the wall with the fjord. The tide pours into the pool, slowly raising the water level. Large logs float about, parts of the protective fence surrounding it, broken and tumbled down. The pit was 90 metres deep at its lowest point, and had to be pumped out constantly while the mine was in use.
Like the workshop and the crushing place, the doors to some of the other houses are open. The former mess with its large kitchen appliances, a two-storey cavernous oven, fridge containers, and stainless steel work surfaces nearly ready to allow one to start cooking a meal, if it weren’t for the collapsed ceilings and the debris on the floor.
The manager’s house is the noblest and most beautiful, with a generous conservatory and terrace to the south, overlooking the former vegetable garden: a patch of vibrant green and the startling yellow of butter cups and arctic poppies, standing out in a landscape dominated by mellow tints of sage and olive green, auburn and copper, dark brown, ochre and cream, silver and ash grey, white and ebony. The broken glass panes of the framed windows now let in the air, and debris collects in the plant basins surrounding the conservatory. Inside, we find wooden parquet flooring and a grand open fireplace that asks to be lit.
Nearby, the minuscule Norwegian pavilion of the 1889 World Expo in Paris has found its resting place. A flight of stairs leads up to it with an impressive pair of antlers adjacent to the door. It seems to be one of the few places still in use. There is a Refleks diesel heater with a tank that seems ready to go, clean tables surrounded by benches, a felt blanket and some photos of the former tennis court, of which it used to be the club house, and instructions for assembling the picnic bench outside pinned to the wall. The tennis court was once the pride of the village, and allegedly the one with the most expensive ground, of cryolite.
As we step around the pavilion, we see a movement. A dark brown mass in the midst of greyish-green willows. A muskox barely 20 metres from us browses solemnly amongst the bushes.
Angie